The Wedding Present
+ Dexy
Entry Requirements: 16+
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The Wedding Present was born in Leeds, in the UK, in 1985 with the release of the debut single GO OUT AND GET EM’ BOY! and the band’s first album, GEORGE BEST, followed a couple of years later. With the early releases on their own label, the band acquired a reputation for bittersweet, breathtakingly honest love songs immersed in whirlwind guitars, so it was quite extraordinary that they decided to explore traditional Eastern European folk music for their major label debut on RCA Records in 1989 with UKRAINSKI VISTUPI V JOHNA PEELA. However, this was soon to be followed by the more traditionally incendiary BIZARRO, which featured their first hit single KENNEDY.
The band’s next step was to enlist the aid of the noise-mongering [and, at that point, relatively unknown] sound engineer Steve Albini. The resulting SEAMONSTERS, recorded in the snowy wilds of Minnesota in just 11 days, suggested a more thoughtful Wedding Present.
A unique plan was hatched in 1992. By the end of that year, The Wedding Present had released twelve 7” singles, one per month, and equalled Elvis Presley’s 35-year-old record for "most hits in one year". A gang of impressive names, including Ian Broudie [The Lightning Seeds] and legendary Rolling Stones producer Jimmy Miller collaborated on the industry-challenging project, ultimately to be compiled on the two HIT PARADE LPs.
1994’s WATUSI, produced by Steve Fisk [a prime mover in the celebrated avant-garde scene of Seattle] whisked the band off into yet another new area with its lo-fi pop, three-part a capella harmonies and Waikiki-ready surf strains. The band returned to a more familiar sound in 1995 with the car themed MINI, in which Gedge cloaked his tales of love and lust with automobile symbolism.
The next album, SATURNALIA, was recorded in the studio owned by The Cocteau Twins and released in 1996 to the usual flurry of critical approval, but it was shortly after this point that Gedge started work on a solo project, CINERAMA. A fittingly titled outfit, Cinerama indulged Gedge’s love of film music from John Barry to Ennio Morricone… via Blaxploitation and The Ventures! Cinerama went on to record three stunning studio albums, VA VA VOOM, DISCO VOLANTE and TORINO.
At the end of 2002, Gedge split up with Sally Murrell, his long-time girlfriend and chief Cinerama collaborator. He decided to leave Leeds, his home for the preceding twenty-four years, and move to Seattle, where he began writing a collection of songs apparently influenced by his despair over the split. TAKE FOUNTAIN, the resultant album, was recorded by Steve Fisk and released, perhaps ironically, on St. Valentine’s Day, 2005. This long awaited LP brought The Wedding Present back into the spotlight with all the style and sophistication associated with a legendary group, but fans were also pleased to see the band had lost none of the growling angst with which they had burst onto the scene in 1985.
In January 2008 the band returned to Steve Albini for the recording of EL REY, which was released in the summer of that year to further critical acclaim. The NME described the album as “a beauty… some of the funniest, cleverest and most relevant indie you’re likely to hear this year”. At the end of 2008 Gedge fulfilled a long held ambition by releasing a bona fide Christmas song, HOLLY JOLLY HOLLYWOOD, a duet with Los Angeles based chanteuse, Simone White.
In 2009, as well launching his own mini-festival, AT THE EDGE OF THE SEA, which he curates and which now takes place every year in Brighton [UK], he also took part in a major collaboartion with the BBC Big Band for the biannual ‘Fuse’ Festival which was held back in his home town of Leeds. For the event he performed Wedding Present and Cinerama songs backed by eighteen world class musicians including legendary ‘James Bond’ trumpeter Derek Watkins.
